Reading parts 1 and 2 of an interview with Gillette and Ira Schneider let me to see some personal insights on what it was like to work with film and tape recorders when they were just emerging as a medium. When Frank was at Fordham university he gained access to video equipment including two studio cameras, two portable cameras, two playback decks, and two moniters to do with them whatever he wanted and this served as his introduction to videotape.
Ira's first experiences with videotape came out of the desire to get "sync sound", which I am not quite certain what that is, but Ira expresses that videotaping was a much better option to achieve it.
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